Expectations Surpassed: The 36.3-Megapixel Nikon D800 Is The Multimedia HD-SLR That Shatters Conventional Resolution Barriers For Maximum Fidelity

The New Nikon D800 Offers Unrivaled Resolution and Features Designed for a Variety of Demanding Professional Photographic and Multimedia Disciplines, Videographers and Filmmakers

MELVILLE, N.Y. (Feb 6, 2012) – Today, imaging leader Nikon Inc. announced the highly anticipated D800 HD-SLR, engineered to provide extreme resolution, astounding image quality and valuable video features optimized for professional still and multimedia photographers and videographers. A camera with an unmatched balance of accuracy, functionality and image quality, the Nikon D800 realizes innovations such as a high resolution 36.3-megapixel FX-format CMOS sensor, a 91,000-pixel RGB Matrix Metering System, Advanced Scene Recognition System and many other intuitive features designed to create the preeminent device for the most demanding photo and video applications.

Whether shooting high fashion, weddings or multimedia content, Nikon’s highest resolution sensor to date, a groundbreaking new 36.3-megapixel (7360 x 4912 resolution) FX-format CMOS sensor, affords flexibility and astonishing image quality to satisfy a myriad of client requests. The Nikon D800 incorporates the latest 91,000-pixel 3D Color Matrix Metering III and the Advanced Scene Recognition System, coupled with an improved 51-point AF system for images with amazing sharpness, color and clarity. With its compact, lightweight D-SLR form factor and extensive video feature set, the D800 allows photographers to transition to multimedia to create an immersive story. Professional videographers will appreciate practical features that go beyond NIKKOR lens compatibility and Full HD 1080p video, such as full manual control, uncompressed HDMI output, and incredible low-light video capability. With this innovative combination of features, the D800 celebrates resourcefulness and a dedication to the flawless execution of an epic creative vision. All of this is driven by Nikon’s latest EXPEED 3™ image processing engine, providing the necessary processing power to fuel amazing images with faithful color, a wide dynamic range and extreme resolution.

“Whatever the project, visionaries need a tool that is going to help them stay on-time and on-task. The Nikon D800 re-imagines what is possible from this level of D-SLR, to address the needs of an emerging and ever changing market; this is the camera that is going to bridge the gap for the most demanding imaging professionals, and provide never before seen levels of SLR image and video quality,” said Bo Kajiwara, director of marketing, Nikon Inc. “The D800 is the right tool for today’s creative image makers, affording photographers, filmmakers and videographers a versatile option for capturing the ultimate in still image quality or full HD content, with maximum control.”

Extreme Image Quality
The new Nikon developed 36.3-megapixel FX-format (35.9 x 24mm) CMOS sensor realizes Nikon’s highest resolution yet, and is ideal for demanding applications such as weddings, studio portraiture and landscape, where there is no compromise to exceptional high fidelity and dynamic range. Nikon’s first priority is amazing image quality above all else, and resolution of this magnitude affords photographers the ability to portray even the smallest details, such as a strand of hair, with stunning sharpness or crop liberally with confidence. Photographers also shoot with the assurance of NIKKOR lens compatibility, because only a manufacturer with decades of optical excellence can provide the glass to resolve this kind of extreme resolution.

For shooting with minimal noise in a variety of lighting conditions, the D800 features a wide native ISO range of 100-6400, expandable to 50 (Lo-1)-25,600 (Hi-2). Nikon engineers have created innovative ways to manipulate light transmission to the sensor’s photodiodes, giving users the ability to shoot with confidence in challenging lighting conditions. Internal sensor design, an enhanced optical low pass filter (OLPF) and 14 bit A/D conversion with a high signal to noise ratio all contribute to a sensor capable of excellent low light ability despite the extreme resolution. Every aspect of this new FX-format sensor is engineered to deliver amazing low noise images through the ISO range and help create astounding tonal gradation and true colors, whether shooting JPEG or RAW. Images are further routed through a 16-bit image processing pipeline, for maximum performance. To further enhance versatility, users are also able to shoot in additional modes and aspect ratios such as 5:4 to easily frame for printed portraits or a 1.2X crop for a slight telephoto edge. For even more versatility, photographers can also take advantage of Nikon DX-format lenses for more lens options and enhanced focal range (1.5X), while still retaining sharpness and details at a high 15.4-megapixel (4800x3200) resolution.

Contributing to the camera’s rapid performance and amazing image quality is Nikon’s new EXPEED 3 image processing engine that helps professionals create images and HD video with amazing resolution, color and dynamic range. From image processing to transfer, the new engine is capable of processing massive amounts of data, exacting optimal color, rich tonality and minimized noise throughout the frame. Despite the immense data, the new EXPEED 3 also contributes to energy efficiency, affording the ability to shoot longer.

The D800 also features the Advanced Scene Recognition System with the 91,000-pixel 3D Color Matrix Meter III to provide unrivaled metering in even the most challenging of lighting conditions. At the system’s core is a newly designed RGB sensor that meticulously analyzes each scene, recognizes factors such as color and brightness with unprecedented precision and then compares all the data using Nikon’s exclusive 30,000 image database. Additionally, this new sensor now has the ability to detect human faces with startling accuracy, even when shooting through the optical viewfinder. This unique feature is coupled with detailed scene analysis for more accurate autofocus (AF), Auto exposure (AE), i-TTL flash control and even enhanced subject tracking. The Color Matrix Meter also emphasizes priority on exposure of the detected faces, allowing for correct exposure even when the subject is backlit. Even in the most difficult exposures the D800 excels, such as maintaining brightness on a bride’s face while retaining the dynamic range to accentuate the intricate details of a wedding dress beside a black tuxedo.

Advanced new automatic systems make it even easier to capture amazing images. The camera features a new enhanced auto white balance system that more accurately recognizes both natural and artificial light sources, and also gives the user the option to retain the warmth of ambient lighting. Users can expand dynamic range with in-camera High Dynamic Range (HDR) image capture, and enjoy the benefits of Nikon’s Active D-lighting for balanced exposure. Another new feature is direct access to Nikon’s Picture Control presets via a dedicated button on the back of the body to tweak photo and video parameters on the fly, such as sharpness, hue and saturation.

True Cinematic Experience
The Nikon D800 has a compact and lightweight form factor that’s preferable for a production environment, yet is packed with practical and functional features. The D800 is ideal whether the user is a filmmaker on location or in the studio or a documentarian in the field who requires portability and the NIKKOR lens versatility and depth of field that only a HD-SLR can offer. Filmmakers have the choice of various resolutions and frame rates, including Full HD 1080 at 30/24p and HD 720 at 60/30p. By utilizing the B-Frame data compression method, users can record H.264/MPEG-4 AVC format video with unmatched integrity for up to 29:59 minutes per clip (normal quality). This format produces higher quality video data without increasing file size for a more efficient workflow. The optimized CMOS sensor reads image data at astoundingly fast rates, which results in less instances of rolling shutter distortion. The sensor also enables incredible low-light video capability with minimal noise, letting filmmakers capture footage where previously impossible or expensive and complex lighting would otherwise be necessary. Users are also able to have full manual control of exposure, and can also adjust the camera’s power aperture setting in live view for an accurate representation of the depth of field in a scene. Whether shooting for depth of field in FX-format mode, or looking for the extra 1.5X telephoto benefits of DX mode, the high resolution sensor of the D800 allows videographers to retain full 1080p HD resolution no matter which mode they choose to best suit the scene. Users are also able to easily compose and check critical HD focus through the 921,000-dot, 3.2-inch LCD monitor with reinforced glass, automatic monitor brightness control, and wide viewing angle.

For professional and broadcast applications that call for outboard digital recorders or external monitors, users can stream an uncompressed full HD signal directly out of the camera via the HDMI port (8 bit, 4:2:2). This output signal can be ported into a display or digital recording device or routed through a monitor and then to the recording device, eliminating the need for multiple connections. This image can also be simultaneously viewed on both the camera’s LCD and an external monitor, while eliminating on-screen camera status data for streaming purposes. The D800 also includes features concentrated on audio quality, such as a dedicated headphone jack for accurate monitoring of audio levels while recording. Audio output levels can be adjusted with 30 steps for precise audio adjustment and monitoring. The D800 offers high-fidelity audio recording control with audio levels that can be set and monitored on the camera’s LCD screen. A microphone connected via the stereo mic jack can also be adjusted with up to 20 steps of sensitivity for accurate sound reproduction. What’s more, recording can be set to be activated through the shutter button, opening a world of remote applications through the 10-pin accessory terminal.

Wield Speed and Performance with Astonishing Accuracy
Whether shooting the runway or fast moving wildlife, the enhanced 51-point AF system of the D800 delivers blazing fast AF with tack-sharp results. Nikon has enhanced the Multi-Cam 3500-FX AF sensor module and algorithms to significantly improve low light acquisition, for precise focus to an impressive -2 exposure value (EV). The focus system utilizes 15 cross-type AF sensors for enhanced accuracy, and the system also places an emphasis on the human face, working in conjunction with the Advanced Scene Recognition System to provide accurate face detection even through the optical viewfinder. The camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and teleconverters with an aperture value up to f/8, which is a great advantage to those who need extreme telephoto focal lengths (single cross type sensor active with TC20E III). For maximum versatility in all shooting situations, whether photographing portraits or static subjects, users are also able to select multiple AF modes, including normal, wide area, face tracking and subject tracking to best suit the scene.

The D800 delivers upon a professional’s need for maximum speed when it counts. The camera is ready to shoot in 0.12 seconds, and is ready to capture with super-fast AF and response speed. To photograph action in a burst, the camera shoots up to 4 frames per second (fps) in FX mode at full resolution, or up to a speedy 6 fps in DX mode using the optional MB-D12 Battery Pack and compatible battery. Further enhancing the speed of the camera and overall workflow, the D800 utilizes the new USB 3.0 standard for ultra fast transfer speeds.

Construction and Operability
The body of the D800 is designed to offer a compact form factor and a lightweight body for the utmost versatility. The chassis is constructed of magnesium alloy for maximum durability, and is sealed and gasketed for resistance to dirt and moisture. Users are able to easily compose through the bright optical viewfinder, which offers 100% frame coverage. For storage, the D800 has dual card slots for CF and SD cards, and offers users the ability to record backup, overflow, RAW/JPEG separation, and the additional option of shooting stills to one and video to the other. For high speed recording and transfer, data can be recorded to recent UDMA-7 and SDXC / UHS-1 cards. The shutter has been tested to withstand approximately 200,000 cycles, and the camera also employs sensor cleaning. The D800 also features a built-in flash and is compatible with Nikon’s acclaimed Creative Lighting System, including a built-in Commander mode for controlling wireless Speedlights.

D800E - Maximum Resolution Unleashed
In addition to the D800, Nikon will also be releasing a supplementary model for those professionals who demand even higher resolution and D-SLR versatility; the D800E. This model treads in medium format territory for studio work or landscape photography when there is no exception to only the highest fidelity and sharpness. This unique alternative model will effectively enhance the resolution characteristics of the 36.3-megapixel CMOS sensor by cancelling the anti-aliasing properties of the OLPF inside the camera. By doing this, light is delivered directly to the photodiodes, yielding an image resulting from the raw light gathering properties of the camera. A color moiré correction tool will also be available within Capture NX2 to enhance the D800E photographer’s workflow.

Price and Availability
The Nikon D800 will be available in late March for the suggested retail price of $2999.95.* The D800E version will be available in mid April 2012 for a suggested retail price of $3,299.95.* For more information about these models, NIKKOR lenses and other D-SLR cameras please visit http://www.nikonusa.com.

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Tamron develops world's first*1 full-size, high-speed standard zoom with built-in image stabilization - SP 24-70mm F/2.8 Di VC USD (Model A007)

With class-leading resolution and Tamron's proprietary VC (Vibration Compensation)

February 6, 2012, Saitama, Japan － Tamron Co., Ltd. (President & CEO: Morio Ono / Headquarters: Saitama City), a leading manufacturer of optical equipment, announced the development of the SP 24-70mm F/2.8 Di VC USD (Model A007), the world's first*1 full-size high-speed standard zoom lens equipped with VC (Vibration Compensation) image stabilization and USD (Ultrasonic Silent Drive)*2, with resolution at the top of its class.

SP 24-70mm F/2.8 Di VC USD (Model A007)

Product Name	Date of Launch (in Japan)
SP 24-70mm F/2.8 Di VC USD (Model A007) for Canon, Nikon and Sony*3	to be determined

Product Features

• 1. World's first*1 full-size, high-speed standard zoom with built-in VC (Vibration Compensation)*3. Even when shooting in low-light conditions with a slow shutter speed to render sharpness, Tamron's acclaimed VC allows for stable handheld camera work, to more fully enjoy the benefits of this high-speed zoom lens.
• 2. Uses specialized high-grade glass in the three LD elements, three Glass Molded Aspherical Lenses, one Hybrid Aspherical Lens and two XR (Extra Refractive Index) glasses, delivering top-of-the-class quality images suited to this high-grade lens. Using a rounded diaphragm*4, the lens achieves gorgeous blur effects.
• 3. Features USD*2 (Ultrasonic Silent Drive) to power a speedy AF drive together with a continuous manual mechanism.
• 4. This high-speed standard zoom lens has a wide-end focal length of 24mm that expands the photographic area.
• 5. The lens adopts the new technology including the latest optical design, VC (Vibration Compensation) image stabilization and USD (Ultrasonic Silent Drive), all in a lighter and more compact package.
• 6. Moisture-resistant construction helps prevent water from penetrating the lens.

• *1 For high-speed standard zoom lens compatible with full frame size SLR cameras except with Sony full frame size SLR cameras. Current as of February 2012. (Source: Tamron).
• *2 USD (Ultrasonic Silent Drive) is Tamron's proprietary ultrasonic motor drive.
• *3 The Sony mount does not include VC, because the body of Sony digital SLR cameras includes image stabilization functionality. The product name for Sony cameras is “SP 24-70mm F/2.8 Di USD” without the VC designation.
• *4 This rounded diaphragm retains a nearly circular shape even when taken two stops down from its fully open state.

Specifications
Model		A007
Focal length		24-70mm
Maximum aperture		F/2.8
Angle of view(diagonal)		84°04' －34°21' (for full frame 35mm format cameras) 60°20' －22°33' (for APS-C format cameras)
Lens construction		17 elements in 12 groups
Minimum focus distance		0.38m (15.0 in)
Maximum magnification ratio		1:5 (at f=70mm: MFD 0.38m)
Filter size		φ82mm (3.2 in)
Length*1		108.5mm (4.3 in)*
Entire Length*2		116.9mm (4.6 in)*
Diameter		φ88.2mm (3.5 in)
Weight		825g* (29.1 oz)
No. of diaphragm blades		9 (rounded diaphragm)
Minimum aperture		F/22
Standard accessories		Flower-shaped lens hood
Compatible mounts		Canon, Nikon, Sony

• - Specifications, appearance, functionality, etc., may be changed without prior notice.

• *Length, entire length and weight values given are for the Nikon mount.
• *1: Length is the distance between the mount face and the tip of the lens.
• *2: Entire length is the distance between the tip of the lens and the tip of the protrusion.

VC (Vibration Compensation)

VC (Vibration Compensation) is Tamron's proprietary image stabilization system. Tamron's VC is a three-coil system, whereby three driving coils activate the shake-compensating VC lens group electromagnetically via three steel balls. The VC lens elements are held in place only by contact with the steel balls, achieving smooth movement with little friction. This provides a stable viewfinder image with excellent tracking performance. And as the VC lens may be moved in parallel using only the motorized control, the mechanical structure has been simplified, enabling the creation of a more compact lens.

New VC system (moving coil method)
Tamron's original VC image stabilization mechanism utilized a moving magnet system whereby a heavy magnet was positioned near the moving VC lens element. In the new VC unit the positions of the magnet and the coil are reversed, because of this the VC optical lens element is attached to the coil. The new VC mechanism employs a moving coil mechanism with a lightweight coil, and the lighter coil reduces the load on the drive system. Thus, the lighter, more compact new VC unit contributes to the lens's overall light weight and compact size.

Because the 24-70 mm F/2.8 Di VC USD is a high-speed zoom lens with maximum aperture of F/2.8, its VC system must drive a lens that is larger and heavier than other zooms. Therefore, the shape, size and layout of the drive coils are all designed to obtain sufficient thrust. The result is a full-size, high-speed zoom that provides the same high level of compensation effect.

About the ultrasonic motor

In the ultrasonic motor, a piezoelectric element arranged in a ring formation generates ultrasonic vibrations in a metallic ring stator, and the vibration energy is used to rotate a metallic ring rotor that is attached to the stator. The rotation energy is in turn transferred from the metallic ring rotor to operate the focus lens.

Notice of Classification Code Change for Nikon Mounts

Since the introduction by Tamron of the first Nikon mount lens featuring an internal AF motor, the AF28-300mm F/3.5-6.3 XR Di VC (Model A20), all Nikon mount lenses with the internal AF motor had used the classification code “N II.” Lenses using a coupler system* without an internal AF motor were designated as “N”" Because future Nikon lenses will have the internal AF motor as a standard feature, Tamron has decided to simplify the designation and consolidate all Nikon mount lenses as “N,” eliminating the “N II” designation for future models. This classification code change will be effective beginning with the 18-270mm F/3.5-6.3 Di II VC PZD (Model B008).
The “N” classification lenses with coupler systems are: AF28-300mm F/3.5-6.3 XR Di (Model A061); SP AF200-500mm F/5.6-6.3 Di (Model A08); and SP AF180mm F/3.5 Di (Model B01).

• *Coupler system refers to a system that uses a shaft to harness the AF motor built into the camera body to operate the lens.

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Panasonic Expands Its Popular ZS-Series Of Digital Cameras With New Advanced Features And Creative Shooting Options Packed In A Slim Body

Panasonic LUMIX ZS20, the World’s Slimmest Digital Camera with a 20x Optical Zoom Lens*¹, Also Features Full-HD Video Recording and Built-In GPS Capabilities

Secaucus, NJ (January, 31, 2012) - Panasonic today introduced the LUMIX DMC-ZS20, the newest member of the acclaimed LUMIX ZS-Series, and the world’s slimmest digital camera with a 20x optical zoom lens^*1. With a powerful zoom, a 24mm ultra wide-angle LEICA DC VARIO-ELMAR lens and the ability to shoot full-High Defintion (HD), the new LUMIX ZS20 builds on the series’ success as an extremely versatile point-and-shoot model.  With a newly-redesigned lens system, the LUMIX ZS20 features a new mechanical structure and optical system to further improve image quality and with Nano Surface Coating technology, the LUMIX ZS20 offers stunning image clarity with minimized ghosting and flare. 

Beyond the quality of its lens, the LUMIX ZS20 integrates an enhanced built-in GPS^*2 functionality, making it easy for users to pinpoint locations where photos were taken and share with family and friends on internet maps.  Map data can be installed onto the LUMIX ZS20 via a bundled DVD, giving the camera detailed worldwide maps of major regions on a scale of 1/25,000 or more precise.  A user can copy the map data of a designated city to an SDXC/SDHC/SD Memory Card and get quick geographic information to know their location and if any landmarks are located nearby. More than one million landmarks and 82 countries/regions are covered in the bundled DVD map.  Geo-tagged images are automatically sorted and can be played back along a map so that users can literally trace their photographic journey.  Many GPS cameras show only the latitude and longitude of where a photo is taken, but the LUMIX ZS20 shows the name of the Country/Region, State/Prov./County, County/Township, City/Town/Village and Landmark – all of which is saved in the EXIF data. 

“Panasonic has long been the leader in developing compact digital cameras with long zooms and wide-angle lenses and with the introduction of the LUMIX ZS20, we continue to be in the forefront with an extremely versatile digital camera that meets the needs of all different types of photographers,” said David Briganti, Senior Product Manager, Imaging, Panasonic Consumer Marketing Company of North America.  “With an impressive 20x optical zoom and 24mm wide-angle lens, the ZS20 gives consumer the ability to capture a variety of different shots, all while carrying a digital camera that is slim enough to slip in a pocket or small purse.  Plus with Panasonic’s HD video recording capability and improved GPS functionality, the ZS20 is an excellent choice for consumers who want to fully capture the details of their memories.”

Featuring a newly developed 14.1-megapixel High Sensitivity MOS sensor, the LUMIX ZS20 is able to provide even higher image quality compared to its predecessors.  Coupled with the advanced image processor Venus Engine, the LUMIX ZS20 features high speed, high sensitivity image recording.  High speed burst shooting at 10 fps in full resolution and Light Speed AF allows users to capture even the most fleeting photo opportunities.

With the ability to record high-resolution, full-HD 1,920 x 1,080 60p videos in AVCHD Progressive (MPEG-4) format (or 30p in MP4)^*3, the LUMIX ZS20 upgrades its full-HD recording capability and is able to produce extremely clear video details, even when subjects are moving quickly.  A powerful 20x optical zoom with 2-step Zoom function is available in video recording and the popular iA mode assists users, making video recording as easy as aiming the camera.  A stereo zoom microphone provides videos with the high-quality stereo sound of Dolby® Digital Stereo Creator, offering highly realistic sound in the captured video.  The Auto Wind Cut function helps to block out wind background noise making voices clearer, and mechanical noise caused by zooming is suppressed to improve overall video sound quality. 

In addition, the ZS20 has manual control options, allowing the user to adjust shutter speed and aperture, and 3D Photo Mode, the LUMIX ZS20 also features a variety of special effects that add fun to a photography shooting experience.  Creative Control mode offers a selection of artistic effects including Expressive Retro, High Dynamic, Sepia, Dynamic Monochrome, High Key, Low Key, Miniature Effect, Toy Effect and Soft Focus.  In Miniature Effect mode, the peripherals are defocused while saturation and contrast are emphasized to make the picture look like a diorama.  Video recorded in this mode is played back in 10x fast-forwarding, making it comical to watch^*4.  Panorama mode makes it possible for users to shoot 360-degree horizontal or vertical panoramic images by taking consecutive shots and then overlay it for the effect of a panoramic photo.  Creative Retouch mode offers users six filters – Toy Effect, Soft Focus, Dynamic Monochrome, Expressive, High Key and Retro – to create artistic looking photos.  Additionally, the Auto Retouch function automatically adjusts contrast and brightness for a clearer, more natural image and can be applied with the simple press of a button. 

For users looking for a more intuitive photo experience, the LUMIX ZS20 features iA (Intelligent Auto) mode, which automatically activates a range of technologies to enhance photos without adjusting settings every time conditions change.  The new HDR (High Dynamic Range) together with POWER O.I.S. with Active Mode, which suppresses blur from hand-shake, AF Tracking, Intelligent ISO Control, Face Recognition, Intelligent Scene Selector, Intelligent Handheld Nightshot, Motion Deblur mode, Intelligent Burst mode and Intelligent Exposure allows users to point and shoot, leaving the camera to do all the work in capturing beautiful imagery. 

Additional features and functionalities of the LUMIX ZS20 include:

• Large, 3.0-inch 460,000-dot Smart Touch LCD Screen
• Touch AF, Touch Zoom or Touch Shutter during recording and various playback functions like scrolling the map with high visibility.
• Flexibility of USB charging or conventional AC adapter charging methods.
• LUMIX Image Uploader for seamless and instant sharing via Facebook or YouTube. Users can checkmark the photo or video files they want to share, connect it to a PC with the included USB cable or by inserting the SD Memory Card directly into the PC’s SD Card slot, and then the uploading automatically launches with an easy-to-follow menu option. 

Also introduced today, the LUMIX DMC-ZS15 features a versatile 24mm ultra-wide angle and powerful 16x optical zoom LEICA DC VARIO-ELMAR lens (24-383mm on 35mm camera equivalent) with 32x Intelligent Zoom. Other features include:

• 12.1-megapixel High Sensitivity MOS Sensor
• Full HD Video Recording in 60i AVCHD^*5 and 30p in MP4
• Monaural Microphone
• Large, 3.0-inch 460,000-dot Intelligent LCD

The LUMIX ZS20 and ZS15 will be available in March 2012 for a suggested retail price of $349.99 and $279.99 respectively.  The LUMIX ZS20 will be available in black, red, white, and silver options; while the LUMIX ZS15 will be available in black and silver. For more on these Panasonic LUMIX models, please visit www.panasonic.com/lumix.

^*1 As of January 31, 2012

^*2 GPS may not work in China or in the border regions of countries neighboring China

^*2 Depending on the locations, it may not be possible to correctly receive the  signals from GPS satellites.  In such cases, positioning may not be possible, or significant positioning discrepancy may occur. 

^*3 Maximum time to record motion pictures continuously with [AVCHD] is 29 minutes 59 seconds. (excluding when [GS] or [SH] is set)

^*3 Motion pictures in [MP4] can be recorded continuously for up to 29 minutes 59 seconds. Also, motion picture recorded continuously in [MP4] is up to 4 GB.

^*4 Sound will not be recorded with Miniature Effect and approximately 1/10 of the time period is recorded (If you record for 10 minutes, the resulting motion picture recording will be approximately 1 minute long).

^*5 Sensor output is 30p

Leica is a registered trademark of Leica Microsystems IR GmbH.

The LEICA DC VARIO-ELMAR lenses are manufactured using measurement instruments and quality assurance systems that have been certified by Leica Camera AG based on the company's quality standards.

The "AVCHD" is a high definition (HD) digital video recording / playback format jointly established by Panasonic Corporation and Sony Corporation.

The "AVCHD" and the "AVCHD " logo are trademarks of Panasonic Corporation and Sony Corporation.

AVCHD motion images recorded onto an SD Memory Card or a DVD disc cannot be played from a device that does not support the AVCHD standard.

Dolby and the double-D symbol are trademarks of Dolby Laboratories.

HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI Licensing LLC.

YouTube is a trademark of Google Inc.

Facebook and the Facebook logo are registered trademarks or trademarks of Facebook, Inc.

All other company and product names are trademarks of their respective corporations.

Some accessories are not available in some countries.

Design and specifications are subject to change without notice.

This unit is compatible with both SD/SDHC/SDXC Memory Cards. You can only use SDHC Memory Cards on devices that are compatible with them. You cannot use SDHC Memory Cards on devices that are only compatible with SD Memory Cards. (When using an SDHC Memory Card on another device, be sure to read the operating instructions for that device.)

About Panasonic Consumer Marketing Company of North America

Based in Secaucus, N.J., Panasonic Consumer Marketing Company of North America, a Division of Panasonic Corporation of North America, the principal North American Subsidiary of Panasonic Corporation (NYSE: PC) and the hub of Panasonic’s U.S. marketing, sales, service and R&D operations, offers a wide-range of consumer solutions in the U.S. and Canada.  The Company’s portfolio of innovative consumer products ranges from VIERA Full HD 3D Televisions, Blu-ray players, LUMIX Digital Cameras, Camcorders, Home Audio, Cordless Phones, Home Appliances, Wellness and Personal Care products and more. 

Panasonic is pledged to practice prudent, sustainable use of the earth’s natural resources and protect our environment through the company’s Eco Ideas programs. Panasonic was the only Consumer Electronics company to be listed in the top ten brands on the Interbrand Best Global Green Brands 2011 ranking. Follow Panasonic on Twitter @panasonicdirect, and additional company information for media is available at www.panasonic.com/pressroom.

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GIMP - The Final 2.6.12

GIMP 2.6.12 is a bug-fix release in the stable GIMP 2.6 series. Its purpose is mostly to wrap up all fixes that have piled up since 2.6.11 into a last release in the stable 2.6 series before we switch to 2.8. Please have a look at the NEWS file for a detailed list of changes.

The source can be downloaded from ftp.gimp.org. Binary packages for various supported platforms should become available soon; please check the Downloads section.

Just like you, we want to see v2.8 out in the wild as soon as possible, but there's still a number of regressions that block this important release.

On a lighter note, v2.8 is going to have an updated default set of brushes for painting and a set of tools presets (new feature in 2.8). The work was done by Ramón Miranda (GIMP Paint Studio project) and Guillermo Espertino.

Meanwhile there is a considerable progress with the GPU-side rendering project we announced in November. Victor Oliveira has brought OpenCL support on GEGL to a level where GIMP can load an image to a GPU and process it there with a brightness-contrast operation. This is only the beginning, but it opens quite a few possibilities.

We also maintain a rather active Google+ page where we post various project related news, links to impressive work done with GIMP and so on.

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Connect 2012 Palm Springs Photo Festival

Now in its 7th year, the week-long Palm Springs Photo Festival has become the preeminent photography event for emerging & professional photographers in North America. April 1-6

This event is based on six important and in-depth programs:

• 16 Workshops with celebrated working photographers
• Over 1000 Portfolio Reviews with industry leaders from both advertising and commercial sectors
• 20 Seminars featuring in-depth instruction on technology and business issues
• Daily Symposiums addressing the current issues facing photographers
• Daily Evening Presentations featuring the works of our Workshop Instructors
• Networking Parties, Open Portfolio Review, Slide Show Contests

The Palm Springs Photo Festival is where participants can spend three exhilarating days with a celebrated, real-world master photographer and two days presenting their work to industry experts and attending important seminars. Our attendees make new friends and walk away with a renewed passion for photography!

This year we are proud to welcome the following photographers to our Workshop Faculty:

• -­‐ Shelby LEE ADAMS
• -­‐ Lise SARFATI
• -­‐ Nigel PARRY
• -­‐ Keith CARTER
• -­‐ Ron HAVIV
• -­‐ Nels ISRAELSON
• -­‐ Lisa KERESZI
• -­‐ Vincent LAFORET
• -­‐ Gerd LUDWIG
• -­‐ David MUENCH
• -­‐ Franck OCKENFELS III
• -­‐ And many others

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Hasselblad Launches State-of-the-art Online Video Platform

Hasselblad is set to launch Hasselblad tv – an exclusive new multi-language online video platform that will ‘target and engage’ the company’s global audience of professional and aspirational photographers.

After two years of planning HTV will launch on February 2 offering viewers a range of channel options, including education and training videos, product information, global news and events plus peer videos submitted by Hasselblad photographers worldwide.

Chris Russell-Fish, Hasselblad’s Global Sales and Marketing Director said: “This is a very exciting project for us, our customers and trade partners like broncolor, Epson and SanDisk”.

“We are working with award-winning digital specialists Skylab to produce a comprehensive standalone platform – primarily an education and research tool of ‘all things Hasselblad’. It will be easy to use but with all the appropriate functionality, including options to download PDF information photographers may find useful after browsing a particular video.”

He added: “We all know there are countless thousands of videos available on YouTube but we wanted to create one single place where Hasselblad enthusiasts can go to access fundamental training on our camera systems; how to attach a back, for example, or tips and tricks on software techniques. We have emulated the excellent BBC iPlayer model but we also wanted to provide our service across a number of languages, including French, German, Italian, Spanish and Chinese. So an Italian architectural photographer will be able to simply access our Italian channel and watch a playlist of videos in that genre, in his or her native language.”

Hasselblad is now looking for photographers to submit videos of interesting shoots, stories and events. Of course Hasselblad will retain the right to edit material but there will be no overarching censorship criteria - other than the obvious and universal constraints of common decency. These videos are frequently between three and seven minutes long but if photographers submit material that is of particular interest but longer, then Hasselblad would still provide the space.

Added Russell-Fish: “This initiative is very much a work in progress and it’s a ‘call to action’ to photographers worldwide. We want everyone, from students to leading professionals - from those who rent Hasselblad cameras and those who own them - to submit their videos.”

Launch channels will include Hasselblad: products, company history, news and events; education and training – cameras, software, and innovation. Hasselblad Masters’ videos encompassing various photo-genres including architectural, editorial, fashion/beauty; fine art, landscape/nature; portrait / social and wildlife. Hasselblad is setting up initial bespoke channels for France, Germany, Italy, Spain, UK, USA & Canada, Asia Pacific and Europe - with more global channels to follow.

There will also be a Hasselblad Studio and a VICTOR Magazine/Bulletin channel.

Hasselblad tv is easily accessible on PC or Mac computers and on iPhones and iPads. Please check out htv.hasselblad.com

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New “Mamiya Leaf” Brand Delivers Strong Worldwide Synergy

Companies Integrate Products, Consolidate Worldwide Support, Service and R&D

TOKYO and TEL AVIV, January 16, 2012 – Mamiya Digital Imaging, a trusted manufacturer and developer of medium-format cameras and optics, and Leaf Imaging Ltd., a leading manufacturer and developer of digital backs for the medium and large-format photography markets, today announced that they have created a new, worldwide Mamiya Leaf brand that integrates both companies’ product lines into one complete medium-format digital camera system offering, streamlines new product development and establishes more efficient customer sales and support.

The new Mamiya Leaf brand represents a synergy of the best that these two companies can offer as highly competent suppliers of comprehensive, fully integrated high-end digital photography systems comprising digital camera backs, bodies and lenses. Together, the companies are focusing on delivering new Mamiya Leaf camera systems. Unified support from worldwide Mamiya Leaf partners/distributors is also expected to be a major advantage for photographers; they will now be able to enjoy one stop expert service for all of the various components of a Mamiya Leaf medium format digital camera system.

“Creating a new Mamiya Leaf brand represents a win-win situation for photographers” said Dov Kalinksi, Leaf General Manager. “Not only will photographers be able to immediately benefit from a highly advanced, fully-integrated medium format system from the industry’s leading suppliers, but they will also be able to enjoy powerful new products emerging from a unified R&D effort.”

“We are aligning our resources to ensure that customers will benefit from the extensive expertise residing in both Tokyo and Tel Aviv,” said Mamiya Digital Imaging President Toshio Midorikawa. “We are confident that the synergy created and the efficiency gained by simplifying our operations will enable us to serve our customers faster and better.”

Mamiya Leaf medium format digital systems comprise a broad range of equipment — from 22 to 80 megapixels. Camera bodies are manufactured by Mamiya; digital backs are manufactured by Leaf. Also available are Mamiya focal plane shutter lenses and Schneider Kreuznach-designed leaf shutter lenses. Cameras, lenses and backs will retain their respective Mamiya and Leaf labels and they will still be sold as individual components.

Included with all Mamiya Leaf systems are two native software options: the award winning Phase One Capture One and Leaf Capture.

About Mamiya Digital Imaging
For almost 70 years, Mamiya has been a name synonymous with excellence and innovation in professional photographic cameras and lenses. Mamiya Digital Imaging is dedicated to the professional and advanced amateur markets. For Mamiya it’s always been about one thing: the love of photography. A passion shared by enthusiastic owners of Mamiya cameras all over the world. For more information, please visit the new Mamiya Leaf website at www.mamiyaleaf.com

About Leaf Imaging, Ltd.
Leaf Imaging has been a pioneer in professional digital photography. In 1992, Leaf introduced the world’s first commercial digital camera back. Today, the Leaf Aptus-II digital backs are the choice of leading photographers. Leaf is dedicated to improving the quality of its products, technologies and services to support the advancement of professional digital photography. For more information, please visit the new Mamiya Leaf website at www.mamiyaleaf.com

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Jalbum Releases 10.3.1

Website: http://jalbum.net/

Jalbum 10.3.1

News and Updates

• Portuguese translation updated.

Bug fixes

• Windows version would hang when dragging and dropping images from the file chooser onto jAlbum. This bug has been around for over a year and is now finally fixed.
• Mac version would fail with "Could not initialize class com.adobe.xmp.impl.XMPMetaParser" error on OS X Lion
• Error reporting for skins that require "compatibility mode" to run wasn't tight

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Snapixel iPhone App PicYou

PicYou is the perfect tool for instantly sharing your photos and daily life with friends, family and the world.

With a simple photo you can connect with others from around the world and explore new things to do or see. PicYou is a great way to share stunning photos with friends, wherever you are. See a sweet shot? Snap it with your iPhone and let PicYou do the rest with its awesome filters and frames.

Best of all everything you do on your phone is also accessible online at the PicYou.com website. One click sign up with Facebook or Twitter accounts. Get started today!

Features

• Free PicYou filters (including Albion, Killowatt, Infatuation, Zeitgeist, Gammanation, Dreamy, Ralston, Cuttlefish and Hipster)
• Cool PicYou frames
• Unlimited uploads to the cloud
• Share your photos instantly on Facebook and Twitter
• Make new friends through giving and receiving likes & comments
• Full camera capability, front and back
• Access from the web at PicYou.com

Download the PicYou iPhone App

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Renaissance Photography Prize 2012

The Renaissance Photography Competition is now open for its fifth year

• £7,000 in prizes and week-long exhibition in the Mall Galleries
• Categories are Expression, Environment, Memory, Perspective, Disorientation
• Judges:
  Brett Rogers (Director, The Photographers’ Gallery)
  Mary McCartney (Photographer)
  Michael Hoppen (Gallery Owner)
  Brigitte Lardinois (Curator & Magnum Magnum Editor)
  Monica Allende (Picture Editor, Sunday Times Magazine)
• 100 entries will be shortlisted for exhibition at The Mall Galleries, 10th - 16th June 2012
• Celebrity private view: 13th June 2012
• Competition closes: 24th February 2012 
• All your entry fee will be donated to the Lavender Trust at Breast Cancer Care
• Enter at www.renaissancephotography.org or email info@renaissancephotography.org

Photographers from around the world will compete for prizes worth over £8,000 (US$12,000) when the Renaissance Photography Prize opens for entries on 5th December 2011.


Brett Rogers, Mary McCartney, Michael Hoppen, Monica Allende and Brigitte Lardinois will select 100 photos from thousands of entries to be exhibited at the prestigious Mall Galleries on London’s Pall Mall in June 2012. The shortlisted entries will be exhibited for one week, culminating in a celebrity private view on the evening of 13th June 2012, where the winners will be announced.

Renaissance was founded in 2006 by Fiona Gifford, a 39-year-old lawyer and keen amateur photographer who was diagnosed with breast cancer aged 34.

“During my recovery period, day-to-day concerns became irrelevant, and I became more aware of the moments that really matter in life - moments of emotion, human connection, and wonder at the beauty of nature. What better way to represent those moments than through photography?”

In the four years since its inception, Renaissance has raised over £160,000 for the Lavender Trust at Breast Cancer Care.

Renaissance is open for entries between 5th December 2011 and 24th February 2012.

There will be five categories this year, Expression, Environment, Memory, Perspective and Disorientation. For further details please visit www.renaissancephotography.org

For more information, interviews or images from previous years, please contact Fiona Gifford on 07966 141 295 or info@renaissancephotography.org

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2012 Hasselblad Masters Awards Winners Revealed

Celebrating the best in photography and the tenth anniversary of the competition, Hasselblad has announced the 11 recipients of the Masters Award.

Hasselblad today announced the eleven winners of the prestigious Masters Award, one for each of eleven categories. A distinguished and diverse panel of international judges representing different sectors of the photo industry selected the winning images.

As always, the decision-making process was challenging due to the high volume and high quality of submissions, but jury members approached their task with enthusiasm and great interest, acknowledging the importance of the Masters awards program. Photographer and Grand Jury member Colin Prior explains that, "The Hasselblad Masters Competition is a showcase for photographic excellence and provides both up and coming and established photographers the opportunity for their work to be seen like no other." Australian portrait photographer Anne Geddes was excited to participate as a judge in this year's awards saying that, "It was an honor to be invited to participate as a jury member and to be able to give back to the photographic community."


For the second year in a row, the public was invited to vote for their favorite images-a practice that especially appealed to Grand Jury member Thomas Gerwers, Editor-in-Chief of ProfiFoto Magazine. "What is unique is that the public can view and judge the participating pictures online, so the Hasselblad Award is not happening in a black box but is all transparent," says Gerwers. He also comments that, "What I like is that Hasselblad has opened the contest for all kinds of professional photography, even for those which have not been taken with a Hasselblad."

Winners will be given access to an H4D, lenses and Phocus software for this year's project, creating a series of images based on their individual interpretations of the theme "evoke". Paul Waterworth, Hasselblad's Global Photographer Relations Manager explains, "The term evoke can mean many different things, so it will be very interesting to see how these photographers put their own visual spin on the theme."

The public will have to wait until photokina in September when the final work is presented in a special exhibition to see the end results of this creative exercise. As part of the Masters Awards, winners will also have their images published in the third annual commemorative Masters book: Masters Vol. 3 - EVOKE, which will also be presented at photokina.
Given the success of the 2012 Masters Finalists Tour this past fall and thanks, in part, to the support of sponsors broncolor, SanDisk and Epson, further exhibitions are planned for the latter part of the year. Hasselblad and the winning images will travel near and far-from Los Angeles and New York to Berlin, Tokyo, Beijing, Mumbai, Moscow and São Paulo and points in between-to share some of the best images of the competition with the rest of the world. Be sure to visit the Hasselblad website, VICTOR online magazine and subscribe to the Hasselblad Bulletin to find out more about the tour later in the year.

The 2012 Hasselblad Masters Awards winners, featured in the January issue of VICTOR online, are:

Architectural: Frank Meyl, Germany
Editorial: Jon Lowenstein, USA
Fashion/Beauty: Wai Kuen Eric Wong, Hong Kong
Fine Art: Christian Tagliavini, Switzerland
General: Ken Hermann, Denmark
Landscapes/Nature: Tom D. Jones, Belgium
Portrait: Denis Rouvre, France
Products: Joe Felzman, USA
Up & Coming: Vicente Ansola, Spain
Wedding/Social: Milosz Wozaczynski, Poland
Wildlife: Lucas Pupo, Brazil

To find out more about the new Masters 2012 and their winning images, visit VICTOR online at: www.victorbyhasselblad.com

Masters 2012, Architectural
Frank Meyl, Germany

Masters 2012, Editorial
Jon Lowenstein, USA

 

Master 2012, Fashion/Beauty
Wai Kuen Eric Wong, Hong Kong

Master 2012, Fine Art
Christian Tagliavini, Switzerland

Master 2012, General
Ken Hermann, Denmark

Master 2012, Landscapes/Nature
Tom D. Jones, Belgium

Master 2012, Portrait
Denis Rouvre, France

Master 2012, Products
Joe Felzman, USA

Master 2012, Up & Coming
Vicente Ansola, Spain

Master 2012, Wedding/Social
Milosz Wozaczynski, Poland

Master 2012, Wildlife
Lucas Pupo, Brazil

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ArcSoft's Perfect365 for Facebook Gives the World's Most Popular Social Network the Power of One-Click Makeovers

Fremont, California – ArcSoft, Inc., the industry leading software provider of imaging technologies and applications, today launched Perfect365 for Facebook. Now every user of the world's largest social network has the ability to touch up and make over portraits as they're uploaded. The application is immediately available at http://apps.facebook.com/perfectfbapp/.

Perfect365 is a free photo makeover application that lets users touch up their pictures with one-click. The application is currently available on Facebook, iPhone, iPad, Mac, and PC. The Facebook version allows users to select from one of the five preset styles, while the desktop versions provide more than 20 style templates, as well as options to customize the look.

"ArcSoft's 15 years of imaging expertise and understanding of the human face let us give users an easy, professional way to touch up their photos, with just one click," said ArcSoft founder and CEO, Michael Deng. "People don't want to spend hours using complicated photo editing software to fix little blemishes or bags that might ruin an otherwise great snapshot. Even fewer want to go through such hassle when posting photos to social networks like Facebook, and Perfect365 gives them an easy solution to this problem."

Important Links
ArcSoft Website: www.arcsoft.com
Perfect365 Website: www.perfect365.com
Perfect365 Twitter: www.twitter.com/perfect365
ArcSoft Twitter: www.twitter.com/ArcSoft_Inc
Perfect365 Facebook: www.facebook.com/Perfect365
ArcSoft Facebook: www.facebook.com/ArcSoftInc

About ArcSoft
ArcSoft, Inc. is an industry leading software developer of multimedia technologies and applications across desktop, mobile and embedded platforms. Working closely with major OEM manufacturers, ArcSoft offers a full line of imaging and video solutions that enhance the features, performance, and user experience of mobile phones, digital cameras, tablets, personal computers, and consumer electronics devices. For further details, visit www.arcsoft.com.

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The New Nikon AF-S NIKKOR 85mm f/1.8G Prime Lens Combines Practicality with Portability Resulting In A Versatile Portrait Lens

New NIKKOR Lens is Ideal for Low-Light, Portraiture and Adding Dramatic Background Blur to Both Photo and Video

MELVILLE, N.Y. (January 5, 2012) – Today, Nikon Inc. announced the addition of the new AF-S NIKKOR 85mm f/1.8G FX-format lens to its legendary line of NIKKOR lenses. The new 85mm is a fast, fixed focal-length lens with medium telephoto capabilities and a large maximum aperture of f/1.8 that is capable of performing a wide variety of imaging tasks with amazing sharpness and clarity.

“Whether a professional photographer who needs extreme sharpness or a photo enthusiast looking for an affordable, lightweight lens with amazing clarity, Nikon photographers appreciate and rely on the vast selection and dependability of NIKKOR lenses for their imaging needs,” said Lisa Osorio, general manager of marketing at Nikon Inc. “The new 85mm f/1.8 is fully optimized for capturing amazing photos and videos, while providing the ability to utilize background blur to compliment the subject of their photo.”

A welcome addition to Nikon’s growing line of versatile prime lenses, the new AF- NIKKOR 85mm is ideal for travel, general photography, low-light, landscape, portraiture and capturing movies with extreme depth of field. The 85mm is designed to capture photos utilizing beautiful image blur achieved due to its large maximum aperture. Furthermore, the lens is lightweight, easy to carry, and provides an equivalent focal length of 127mm when attached to a Nikon DX-format D-SLR camera body.

The construction of the 85mm f/1.8 consists of nine optical elements, with a seven-blade diaphragm which contributes to a substantially more circular bokeh for a natural appearance to out-of-focus background elements. Additionally, instances of lens flare and chromatic aberration are suppressed using Nikon’s exclusive Super Integrated Coatings, which also help ensure vividly accurate color balance.

The new lens also comes equipped with a carefully engineered optical system optimized to deliver superior image quality. The integration of an ultra-compact Silent Wave Motor (SWM) ensures fast, whisper-quiet AF operation, which is essential when recording movies. The 85mm also features two focus modes, M/A (manual-priority autofocus) and M (manual) to further enhance versatility and adapt to a shooters needs. Additionally, Internal Focus (IF) design prevents the front element from rotating, allowing for the use of filters and attachments.

Price and Availability
The lightweight AF-S NIKKOR 85mm f/1.8G will be available in March 2012 for a SRP* of $499.95. For more information, please visit www.nikonusa.com.

To see the new AF-S NIKKOR 85mm f/1.8G lens and other new Nikon products, visit Nikon at the 2012 International Consumer Electronics Show (CES) at booth # 11039 from January 10-13th, 2012 in Las Vegas, NV.

About the NIKKOR brand
With a comprehensive assortment of FX and DX-format lenses and focal lengths, from the ultra-wide 10-24mm to the super telephoto 600mm VR, Nikon photographers have come to rely upon the NIKKOR core technologies that contribute to their optical superiority. NIKKOR is the brand name for Nikon’s photographic lenses, which are precision crafted to the most exacting standards in Nikon’s own glassworks. In 1933, Nikon marketed its first camera lens under the NIKKOR brand name, the "Aero-NIKKOR” for aerial photography applications. Since then, NIKKOR has been used as a brand name for Nikon’s lenses that symbolizes durability, high image quality and optical excellence.

About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics as well as the new Nikon 1 advanced camera with interchangeable lens system. In 2011, production of NIKKOR lenses surpassed 65 million, creating a new milestone in Nikon’s heritage of superior optics. For more information, dial (800) NIKON-US or visit http://www.nikonusa.com, which links all levels of photographers to the Web's most comprehensive photo learning and sharing communities. Connect with Nikon and other photographers on Facebook at http://www.facebook.com/nikon and get the latest news and information from Twitter by following @Nikon_USA.

*SRP (Suggested Retail Price) listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

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When There Is No Second Chance: The New Nikon FX-Format D4 Multi-Media Digital SLR is The Definitive Unification Of Speed And Precision

The New 16.2 Megapixel Nikon D4 Wields a Formidable Fusion of Swift Performance, Battle-Tested Technologies and Innovative New Features to Create High Caliber Photo and HD Multimedia Content


MELVILLE, N.Y. (Jan 5, 2012) – The new Nikon D4 digital SLR builds upon the legacy of the proven Nikon flagship D-SLRs before it, engineered to give today’s professional multimedia photographers a new apex of speed and accuracy with unparalleled image quality, low-light capability and Full HD video. The Nikon D4 hosts a multitude of advanced new features and useful functions that deliver speedy performance and amazing image quality for when missing the shot is not an option.

Every aspect of the new Nikon D4 D-SLR has been designed to emphasize rapid response and seamless operation to help professional photographers consistently capture incredible content. Nikon’s proven 51-point AF System has been further enhanced for maximum speed in a variety of challenging shooting situations, even at 10 frames per second (fps). Considered the new Nikon flagship, the D4 renders supreme image quality, a feat accomplished with a new 16.2-megapixel FX-format CMOS sensor, coupled with the latest generation of Nikon’s EXPEED 3 image processing engine to help produce images and videos with stunning clarity and color. Photographers are also able to shoot in even the most challenging environments and lighting conditions with the assistance of Nikon’s new 91,000-pixel 3D color matrix meter and a broad ISO range from 100 to a staggering 204,800 for low-light capture like never before. The Nikon D4 is engineered for the modern professional and incorporates never before seen HD-SLR video features for those who also need to capture multimedia content from the field.

“Speed without accuracy is irrelevant,” said Bo Kajiwara, director of marketing, Nikon Inc. “The status of a Nikon flagship camera is not given lightly; this next generation of Nikon’s most professional body exceeds the needs of a wide variety of both still and multimedia professionals that rely on Nikon to make their living. Besides overall performance and burst speed, the D4 provides Nikon’s most advanced AF system to date, as well as enhanced workflow speed to give professionals the edge in the field.”

Velocity Meets Versatility
Speed is a necessity for today’s multimedia photographer as milliseconds matter when the action commences. Whether an assignment relies on fast processing power, burst rate, write speed, enhanced workflow or even streamlined camera controls, the D4 is the epitome of professional-caliber photographic horsepower. Ready to shoot in approximately 0.012 seconds, the new Nikon D4 can capture full resolution JPEG or RAW files at up to 10 fps with full AF / AE or up to 11 fps with AF / AE locked. Immediately before image capture, the camera interprets data from the AF sensor, including subject color as detected on the 91,000-pixel RGB sensor, to deliver consistently tack-sharp focus frame after frame. Whether a photographer is shooting a full-court fast break under gymnasium lighting or the downhill slalom in the bright sun and frigid temperatures, the D4 will instill the confidence with consistently great results.

The Advanced Multi-Cam 3500 AF autofocus system is the next generation of Nikon’s proven 51-point AF system. The fully customizable system offers users the ability to capture fast moving subjects and track focus with precision or select a single AF point with pinpoint accuracy. The Nikon D4 D-SLR aligns 15 cross-type sensors in the center to detect contrast data in both vertical and horizontal planes. In addition to detecting each AF-NIKKOR lens with an aperture of f/5.6 or lower, the camera also utilizes nine cross-type sensors that are fully functional when using compatible NIKKOR lenses and TC14E or TC17E teleconverters or a single cross-type sensor when using compatible NIKKOR lenses and the TC20E teleconverter with an aperture value up to f/8, which is a great advantage to those shooting sports and wildlife. For maximum versatility in situations such as photographing nature from afar or competition from the sidelines,  photographers are also able to select multiple AF modes, including normal, wide area, face tracking and subject tracking, to best suit the scene.

The Nikon D4 D-SLR also employs a new 91,000-pixel RGB 3D Color Matrix metering system that meticulously analyzes each scene and recognizes factors such as color and brightness with unprecedented precision. This data is then interpreted and compared against D4’s on-board database to implement various settings, resulting in vibrant images with faithful color reproduction and balanced exposure. In addition, this new AF sensor now has the ability to detect up to 16 human faces with startling accuracy, even when shooting through the optical viewfinder, allowing for correct exposure even when the subject is backlit. Additionally, to capture every brief moment from a bouquet toss to a photo finish under nearly any condition, the 51 focus points deliver fast and accurate detection down to a -2 EV with every AF-NIKKOR lens.

All of this image data is funneled through a 16 bit pipeline and are written to dual card slots which have been optimized for the latest UDMA-7 Compact Flash™ cards, as well as the new XQD™ memory card. The D4 is the first professional camera to harness the capabilities of this new durable and compact format, which offers blazing fast write times and extended capacity essential for multimedia professionals shooting stills and video.

Image Quality That Hits the Mark
The heart of the new D4 is the Nikon-developed 16.2-megapixel FX-format (36 x 23.9mm) CMOS sensor that provides amazing image quality, brilliant dynamic range and vivid colors in nearly any lighting condition. By achieving the optimal balance of resolution and sensor size, professional photographers will realize exceptionally sharp, clean and well saturated images throughout the entire ISO range.

Like the D3 and D3s before it, the Nikon D4 retains Nikon’s status as the sovereign of low-light capture ability, with a native ISO range from 100 to 12,800 ISO, expandable from 50 (Lo-1) to an incredible yet usable 204,800 (Hi-4). From a candlelit first dance to nocturnal wildlife, the large 7.3µ pixel size absorbs the maximum amount of light to excel in any situation. Additionally, the sensor’s construction features a gapless micro-lens structure and anti-reflective coating which further contributes to images that retain natural depth and tones with smooth color gradation. For ultimate versatility, photographers can also take advantage of the camera’s extreme high ISO ability while recording video.

Another factor contributing to the camera’s rapid performance and stellar image quality is Nikon’s new EXPEED 3 image processing engine that helps professionals create images with amazing resolution, color and dynamic range in both still images and video. From image processing to transfer, the new engine is capable of processing massive amounts of data, exacting optimal color, perfect tonality and minimized noise throughout the frame.

There are also a variety of shooting options available to help capture the highest quality images and video. In addition to standard NEF (RAW) files, the D4 is also capable of shooting smaller compressed RAW files to ease storage and speed up workflow. Users are also able to capture even more dynamic range with the in-camera High Dynamic Range (HDR) function that merges consecutive exposures. For deep contrast and further tonality, Active D-Lighting can also be activated during shooting for balanced exposures even in backlit scenes. Additionally, the camera features a dedicated button for quick access to Nikon’s Picture Controls, allowing users to quickly select one of six presets.

Professional Multimedia Features
The Nikon D4 D-SLR is engineered with innovative new features for the multimedia professional that needs the small form factor, low-light ability and NIKKOR lens versatility that only an HD-SLR can offer. The new features add functionality for those professionals looking for the best possible experience to capture a moment in Full HD 1080p video at various frame rates, providing footage that is more than suitable for broadcast.

• Full HD video recording - Users have the choice of various resolutions and frame rates, including 1080p 30/24fps and 60 fps at 720p. By utilizing the B-Frame data compression method, users can record H.264 / MPEG-4 AVC format video with unmatched integrity for up to 20 minutes per clip. This format also allows for more accurate video data to be transferred requiring less memory capacity. The sensor reads image data at astoundingly fast rates, which results in less instances of rolling shutter distortion.


• Full manual control of exposure - Shutter speed, aperture and ISO can be changed while recording to adapt to lighting and alter depth of field for professional cinematic results that help realize a creative vision.


• Uncompressed output: simultaneous Live View - By using the camera’s HDMI port instead of the CF or XQD card, users can stream an uncompressed full HD signal directly out of the camera. This footage can be ported into an LCD display or appropriate external recording device or routed through a monitor and then to the recording device, eliminating the need for multiple connections.


• Audio recording for professionals - The Nikon D4 features a stereo headphone jack for accurate monitoring of audio levels while recording. Output can be adjusted in up to 30 steps for precise audio adjustment. The D4 offers high-fidelity audio recording control with audio levels that can be set and monitored on the camera’s LCD screen. The microphone connected via the stereo mic jack can also be adjusted with up to 20 steps of sensitivity for accurate sound reproduction.


• Multi-area Mode Full HD Video: FX/DX, and 2.7x crop mode at 1080p video modes - Whether shooting for depth of field in FX format mode, or looking for the extra 1.5X telephoto benefits of DX mode, the high resolution sensor of the D4 allows videographers to retain full 1080P HD resolution no matter what mode they choose. With the 2.7x crop, users can experience ultra-telephoto benefits in full HD resolution all at 16:9 aspect ratio.


• Simultaneous live view output without display / simultaneous monitor - Shooters have the option to send the display signal directly to an attached monitor via the HDMI port. This signal can be viewed on the camera’s LCD screen and external monitor simultaneously. Additionally, the image data display can be cleared from the screen, to remove distracting data or when feeding a live signal.


• Full-time AF - In addition to manual focus, four modes are available, including normal, wide area, face detection and subject tracking, which uses fast contrast detect AF to accurately focus while recording video and in live view.


• New LCD screen - The large high resolution 3.2-inch LCD screen is 921K dots, and includes auto brightness adjustment. Users can also zoom in up to 46x to check critical HD focus.


• Time lapse shooting - This new feature combines a selected frame rate and “shooting interval” in a dedicated time lapse photography menu. Playback can be achieved with a wide variety of speeds from 24x to 36,000x while producing a fully finished movie file output for faster multimedia workflows.


• Remote shutter operation - Using dedicated Movie Custom Settings, recording can be set to be engaged by the shutter release button -users can now use a variety of remote accessories to trigger video recording.


• NIKKOR lens compatibility - The highest caliber optics are vital to creating HD images and Nikon is the world leader in optics manufacturing with a legacy spanning more than 75 years. Nikon has a vast NIKKOR lens system, with more than 50 lenses with a variety of focal lengths and features, including VR II vibration reduction.

Professional Construction, Superior Operability
The reputation and respect bestowed upon a Nikon D-Series flagship camera is earned from those who use it; therefore the chassis of the Nikon D4 is machined from magnesium alloy for maximum durability and reliability. The body of the camera is sealed and gasketed for resistance to dirt and moisture, as well as electromagnetic interference. Photographers are able to easily compose through the bright optical viewfinder, which offers 100% frame coverage. The shutter has been tested to withstand 400,000 cycles for maximum durability, while sensor cleaning is employed by vibrating the OLPF. The self diagnostic shutter unit also encompasses a mirror balancer to minimize the residual “bounce” to enhance AF and extend viewing time. What’s more, the viewfinder is coated with a new thermal shield finish which works to resist overheating during prolonged use, enhancing overall reliability. Users can easily compose on the camera’s wide, bright and scratch resistant 921,000-dot high resolution 3.2-inch LCD screen.

The overall controls and operability of the camera has also been engineered with a renewed emphasis on speed and functionality. During critical moments, users will appreciate refined button layouts with renewed ergonomics, such as a quick AF mode selector placed near the lens mount for fast access on the fly. A new joystick style sub-selector is also placed on the camera’s rear for AF point and option selection, while vertical controls have been enhanced for improved operability. Finally, to continue the D4’s moniker of the best tool for just about any condition, key control buttons on the back of the camera can all be illuminated, making the camera simple to operate in complete darkness.

Nikon has also made enhancements to overall workflow, adding options to streamline the process and maximize shooting time. Users are now able to automatically generate IPTC data for their images and image sets, making organizing and chronicling images easier for both the photographers and their editors. A wired Ethernet port is also utilized so that a user can shoot tethered and transfer images easily and quickly to clients. Nikon has also introduced the new WT-5A wireless file transmitter, to transmit via FTP server or computer. The device can be set to transfer either automatically or manually selected images. This device also allows for remote operation of the camera using Nikon’s Camera Control Pro 2 software. A mobile application is also in development to control the camera using this accessory, which will include the ability to trigger the shutter and record video, making this a must-have remote accessory for many professionals.

Price and Availability
The Nikon D4 will be available in late February 2012 for the suggested retail price of $5999.95.^*

To see the new D4 D-SLR and other new Nikon products, visit Nikon at the 2012 International Consumer Electronics Show (CES) at booth # 11039 from January 10-13th, 2012 in Las Vegas, NV.

About Nikon
Nikon, At the Heart of the Image™. Nikon Inc. is the world leader in digital imaging, precision optics and photo imaging technology and is globally recognized for setting new standards in product design and performance for its award-winning consumer and professional photographic equipment. Nikon Inc. distributes consumer and professional digital SLR cameras, NIKKOR optics, Speedlights and system accessories; Nikon COOLPIX® compact digital cameras; 35mm film SLR cameras; Nikon software products and Nikon sports and recreational optics as well as the new Nikon 1 advanced camera with interchangeable lens system. In 2011, production of NIKKOR lenses surpassed 65 million, creating a new milestone in Nikon’s heritage of superior optics.  For more information, dial (800) NIKON-US or visit http://www.nikonusa.com, which links all levels of photographers to the Web's most comprehensive photo learning and sharing communities. Connect with Nikon and other photographers on Facebook at http://www.facebook.com/nikon and get the latest news and information from Twitter by following @Nikon_USA.

* Suggested retail price listed only as a suggestion. Actual prices are set by dealers and are subject to change at any time.

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GNT Inc., a Japanese Mobile Contents Entity, Released Mobion Photo Lite Application Today, for iOS 4.0, an All-in-One Package to Enhance Your Photography Experience with Quality and Ease

Enhancing Life's memories, whether from yesterday, today or years ago! Filled with cool features, Mobion Photo Lite is the go-to app for photo lovers and story tellers alike. Tell your story and share it as you take pictures on the go! 

TOKYO, JAPAN, January 05, 2012 /24-7PressRelease/ -- Enhancing Life's memories, whether from yesterday, today or years ago! Filled with cool features, Mobion Photo Lite is the go-to app for photo lovers and story tellers alike. Tell your story and share it as you take pictures on the go!

Core features include:

• Shoot: Take a picture anytime and anywhere, with the swipe of a finger, only on this app!
• Share: Let everyone share in your moment on Mobion, Facebook and Twitter with auto shouts
• Store: Images automatically saved for ease of sharing and editing
• Play: Add music, your voice, icons, filters, photo frames, texts, and more to your photos
• Story: Record voice, add music, transitional effects and more to a collection of your photos
• World: - Sight-see through photos shared by your friends on the global map
• M-Cards: Holidays and daily m-cards are a fun and unique way to send anyone a special greeting

iTunes Download: http://itunes.apple.com/gb/app/mobion-photo-lite/id485554118?mt=8

Mobion social networking platform:
Mobion is a place on the net with two independent worlds; a Real World and Virtual World where you can connect with real life connections while at the same time escape from reality and enjoy full freedom by becoming anyone you wish (virtual). Mobion SNS for PC users will be launched globally December 2012.

About GNT Inc:
Founded over 10 years, GNT Inc. is a leading mobile service company in Japan. Youthful, passionate, dynamic, constantly innovating and pushing technological boundaries, we are grasping the international market with 4 core mobile services: Mobile Media Services, Official Mobile Content, M-Commerce (E-Commerce) and Mobile Advertising. Additional information about GNT Inc is available at http://www.gnt.co.jp/en/.

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